![]() ![]() So he sent me the audio stem of his original. I originally had a different acid line but, after discussing with Norman, we thought it might be a good idea to use the original acid line. I wanted to stick to Fatboy Slim’s original idea and update Everybody Needs a 303 for today’s dancefloors. Hey Harry! How did you approach remixing Fatboy Slim’s classic track, Everybody Needs A 303? It might come as no surprise that the remix needed a Roland TB-303, but were you expecting it to be a plug-in? He tells us more, explains how he approaches remixing and why some hardware can’t be replaced and shares his top piece of advice for laptop producers. ![]() He’s let us peek inside the project file to learn which plug-ins were vital in creating the remix. READ MORE: Flight Facilities on their sophomore album, FOREVER: “More than anything, it’s our output that keeps us sane and inspired to continue”.Following the lead of Todd Edward’s remix of Rockafella Skank, Romero hasn’t shied away from audaciously pushing the track into new terrain. Now, in 2021, he’s repeating the cycle, offering his own take on Fatboy Slim’s iconic 90s dance track, Everybody Needs a 303. With such a prestigious oeuvre – including releases on Hot Creations, Crosstown Rebels and Cecille – it’s no wonder Fatboy Slim enlisted the US-born producer to flip his classic acid house. In the 90s, the house legend was sampling and remixing tracks from the 70s. Harry Romero’s been in the game for over 20 years, but he’s certainly not slowing down. ![]()
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